2023
The Smartest Women I Know Are All Dissociating（我认识的最聪明的女人，都在不断解离中）, BIEDE Girls, Beijing
Original text by Emmeline Clein
2022
Space Bebop （太空爵士夢）, SAMPLE Magazine, ISSUE 28 + 29, Hong Kong
Sungrazing Comet（掠日彗星）, Railing Codex, Volume 1, Pararailing, Shanghai/Online
The most earnest you are, is the most earnest within my deepest being （你最懇切的，是我冥冥之中最懇切的） , SAMPLE Magazine, ISSUE 25, Hong Kong
Love of the Colonizer（殖民者之愛）, 虛詞 p-articles, Hong Kong/Online
2021
Loved: polyphony or execution（愛的：多重奏或流刑地）, SAMPLE Magazine, ISSUE 22, Hong Kong
Fog of the World（世界迷雾）, Open Pixels, Shanghai/Online
Can We Share a World beyond Representation? （我们能否分享超越表象的世界？）, Play Under, Shanghai/Online
Co-translated with Siyu Chen, Original text by Irmgard Emmelhainz
Wonderland: Surviving Horror and Monstrosity（仙境：鲜活的恐惧与畸形之物）, Heichi Magazine, New York/Beijing/Online
Original text by Danni Shen
Labours of Love: Women's Labour as the Culture Sector's Invisible Dark Matter （爱的劳动：女性劳动力作为文化产业中不被看见的暗物质）, Heichi Magazine, New York/Beijing/Online
Co-translated with Dot Jia, Original text by Macushla Robinson
Sentences on Photography（关于摄影的话）, Play Under, Shanghai/Online
Co-translated with Peng Ke, Original text by Torbjørn Rødland
From Flows of Culture to the Circuits of Logistics: borders, regions, labour in transit（文化的涌浪到运筹的回路：边界、区域，及变迁中的劳动）, Trigger.org, New York/Online
Original text by Brett Neilson
4 interrogativi sui musei. L’opinione di Hou Hanru, direttore artistico del MAXXI（侯瀚如：关于美术馆的当下和未来），Trigger.org, New York/Online
Original text by Hou Hanru