Yasmine Anlan Huang (b. Guangzhou, China) is an artist and writer. Investigating the evolution of literary motifs and archetypes across cultures and time, her work seeks to expose hidden power structures and decolonize storytelling. She orchestrates a polyphony that blends past and future, fiction and reality, sublime and absurdity, innocence and violence. With a fusion of personal cosmology, political entanglements, youth subcultures, and everyday objects, she crafts emotive worlds through moving images, texts, installations, performances, and public programming. These works serve as surrogates for her hyper-vulnerability—she is also interested in how digital spaces consume and regurgitate life experiences.
Huang's works have been featured internationally, including Whitney Biennial 2024, Power Station of Art, Peckham24, HART Haus, with solo or duo exhibitions at Floating Projects, Three Shadows Photography Art Centre, Seoul National University Woosuk Gallery, Goethe-Institut Hong Kong and Small Gallery London. She has been awarded residencies in Skowhegan School of Painting & Sculpture, Wassaic Project, Penland School of Craft, among others. Her writings and translations appeared in Heichi Magazine, p-articles, SAMPLE Mag, and many other platforms. Her debut book of poems and essays, Love of the Colonizer, was published by Accent Sisters in 2022.
Full CV | Last Update 03/27/2025
黄安澜，艺术家，写作者，在都市间候鸟般迁徙。她游走于诗歌、哲学与地下文化之中，携一系列角色掠过巨大的悲悯。她的复调叙事交织着过去与未来、虚构与现实、崇高与荒诞、纯真与暴力，结合流动影像、装置、表演等各种媒介，将个体的生命经验注入宏大叙事或批判理论的缝隙中，以此转译时常共生的爱与伤害。