黄安澜，艺术家，写作者，在都市间候鸟般迁徙。她游走于诗歌、哲学与地下文化之中，携一系列角色掠过巨大的悲悯，结合流动影像、装置、表演等各种媒介，将个体的生命经验注入宏大叙事或批判理论的缝隙中，以此转译时常共生的爱与伤害。
安安 → 安（やす）→ やすみん → ヤスミン → Yasmine → 思明 → Siming
currently London | sometimes New York City and Hong Kong
Yasmine Anlan Huang (b. Guangzhou, China) is an artist and writer migrating from cities to cities. Delving into the complexities of ingénue or shōjo archetype across diverse cultures, her works dedicate to uncover hidden power structures and decolonize storytelling. She orchestrates a polyphony that blends past and future, fiction and reality, innocence and violence. With a fusion of personal cosmology, classic literature, historical archives, youth subcultures, and everyday objects, she crafts emotive worlds through moving images, texts, performances, and installations, all serving as surrogates for her hyper-vulnerability — she is also interested in how digital spaces swallow up and regurgitate life experiences.
Huang's works have been featured internationally, including Whitney Biennial 2024, Power Station of Art, HART Haus, Tabula Rasa Gallery, with solo or duo exhibitions at Floating Projects, Three Shadows Photography Art Centre, Seoul National University Woosuk Gallery and Goethe-Institut Hong Kong (forthcoming). She has been awarded residencies in Skowhegan School of Painting & Sculpture, Wassaic Project, Penland School of Craft, among others. Her writings and translations can be found in Heichi Magazine, p-articles, SAMPLE Mag, and many other platforms. Her debut book of poems and essays, Love of the Colonizer, has been published by Accent Sisters.
Huang received her BA (Hons) in Creative Media from City University of Hong Kong, an MA in Literary and Cultural Studies from the University of Hong Kong, and an MFA from Parsons School of Design.
Full CV by request | Artist Photo by Lean Lui